Just before we left for Macau for the International Series of Mahjong competition, I received a telephone call from ATV. They wanted me to perform in the National Day Cultural Night production 「香港同胞慶祝中華人民共和國成立五十九週年文藝晚會」, which was cool, but what was even cooler was that they wanted me to perform Cantonese Opera!
My part in the performance was only 30 seconds long but it was special. Ten days before the show, I had the music and lyrics. Then on Friday, five days before the show, I had my first 2-hour lesson in Cantonese Opera followed by another lesson on Sunday morning. That was it. The rest was up to me.
I knew it was going to be hard because we would be performing live, and because the show would be broadcast through much of China, so I worked hard to memorise the song and spent one to two hours every day rehearsing the routine on our balcony.
On Wednesday afternoon before the performance, we had rehearsals, my first time to work with renown masters of Cantonese Opera 梁漢威先生 and 尹飛燕小姐. Rehearsals went fine, and then there was more fun to be had. I was to be dressed in full Cantonese Opera robe with full makeup. Yippee!
My nerves were steady for most of the day, but by the time I reached the stage, my heart was racing a lot faster than I would have liked. Near the end of the first sentence of the song, with adrenaline racing through my body and all of my senses hightened much more than necessary, in my mind, I momentarily forgot a character in the lyrics. I'm not exactly sure what happened next but I heard the last character of the sentence come out of my mouth and held on to it. Then I smiled, because I knew I was going to be ok.
It was not as good a performance as I had hoped for but for someone who had just had 4 hours training in something as complex as Cantonese Opera, it wasn't too bad.
More importantly though, it was a personal victory. Many years ago, I developed a physiological form of depression resulting from severe and prolonged physical exhaustion, possibly a form of Burnout Syndrome. During that time, whenever I performed publicly, my nervousness would morph into terror, terror that was clearly visible on my face. Those episodes of terror left a mark on me. Since that time whenever preparing for a new performance, I have had to face the memory of those terrors and overcome them. It has only been during the last one or two years that those terrors have gradually faded away, and I have been able to enjoy performing again.
Without knowing it, several of my friends have been instrumental in helping me to overcome the fear of reliving that terror while performing by helping me to enjoy performing, good friends including Fred, Walter and Peisha.
And now, for your entertainment, here is the clip from that night's performance. I make my appearance just after 5:23 minutes into the clip. Try not to laugh too much ;-)
1965. Born in Gympie, a small gold-mining town in Queensland, Australia.
1987. Arrived in Hong Kong. A month later, I was a guest singer at Alan Tam’s concert (one of Hong Kong’s superstars). I then taught English to make ends meet until the end of the year.
1988. Serendipitously began acting at TVB (Hong Kong’s premier TV station). I have been acting on a full-time contract basis with TVB ever since. Filming in Cantonese, I was involved in more than 200 different television series, some of them quite memorable.
1997. “Magic is the Moonlight”: My first stage production; a supporting role. We performed 31 shows at the Hong Kong Academy for Performing Arts.
2002. “Teresa Teng Forever”: My second stage production; a supporting role, this time involving singing. Again, we performed 24 shows at the Hong Kong Academy for Performing Arts.
2004. Having hit a brick wall in my attempts to improve my acting abilities, I attended the Lee Strasberg Institute in L.A. for 3 months. The study helped me immensely.
2005. “Perfume”; My third stage production. My first role as a co-lead. We performed 8 shows at the Hong Kong Cultural Centre.
2006. Wanting to improve my singing and also in preparation for “They’re Playing Our Song”, I studied daily with Peisha McPhee in L.A. for four weeks. The improvement was incredible.
2007. “They’re Playing Our Song”; My fourth stage production. My first lead. Just one actor and one actress, we performed the 2-hour musical play 10 times at the Hong Kong Arts Centre.
2008. I declined to renew my contract with TVB. After 20 years of serving them faithfully, it was time for me to move on and look for new adventures, and new avenues of continued improvement in my vocation.
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