Actors are taught in
classes to find out about the role they are going to play.They learn to look for what they want
in the scene and to be aware of the person they are talking to.Yes, I find they sometimes forget to do
this, but after a while most actors in auditions do look at those choices.And that’s good, but there are so many
more details you can investigate.
Details
that just make your character so real, so believable.
And just one of them is to
look at what your character denies. Ergo, the title of this blog.DON’T DENY DENIALS!
Hey I hope I got your
attention, because I was thinking about all those juicy, wonderful choices that
actors forget to use.You know
those reasons why people do what they do and think what they think.Those unproductive, neurotic,
unhealthy thoughts and choices that we as human beings go to the therapist’s
office to fix but as actors those choices are FABULOUS for our characters.
And one of those many neuroses
is DENIAL.Of course we all
can see so clearly when SOMEONE ELSE is in denial but not so easy for us to see
it in ourselves.Hey I’m not
in denial, of course not!
Why check if your character
is in denial?Why is this
helpful?WELL!Let’s imagine you are playing a serial
killer.Now come on, he (or she)
has got to be in big denial.He is
in denial that what he is doing is wrong.He has to justify why it is a good thing to kill people over and over
and over!
Yes, that’s obvious but
even with “more normal” characters you can recognize their denial thoughts or
maybe I should say “non-thoughts”.
Let’s look at another
example.You are playing a
spouse who is lying to their partner.Now if this is in a film or television show, we know that
this lie will eventually be revealed.In real life when a person lies or deceives that person believes what
they are doing is the right thing to do.Now is that a denial?Probably.So you need to
look at the reasons why the character justifies what they are doing.And part of this usually includes
denials.
Frankly this is a great
place to search for the really interesting, juicy details of this flawed
character.This is where you
will find choices that will make this person seem real, believable.Your audience will relate to these
imperfections more than the “perfect, heroic choices” that we give our
characters.And if the writer has
not given your role enough flaws, enough blemishes this is where you can
include more.
We don’t believe characters
that do everything perfectly, know everything and seem to always do the “right”
thing.We relate to those flawed
characters that take the right path in spite of themselves.Sometimes the writer helps you
understand why your character does what he does and sometimes the writer does
not.But either way, you, the
actor, can find a good reason to do what their script requires even though the
leap in action may feel like a big one and sometimes even an unbelievable
one.
This is where you, the actor,
can make use of the flaws of your character’s thinking.And denial is one of the ways for you
to make sense of your character’s actions.
Frankly, this part of the
investigation can be a lot of fun.(Don’t tell people who think acting is not work anyway.)It is the time to let your imagination
go free, open up the possibilities.Since we never actually hear what these thoughts are you can use
whatever works for you.Whatever
makes sense to you.Whatever helps
you to create a really good reason for your character to do what he or she
needs to do according to the script.
Over the years actors will
say to me, “…but my character wouldn’t do this, it doesn’t make sense.”I just smile and ask them,“How many real people do you know who
always, always, always makes sense?How many real people are logical in everything they do?”
So far in my over 25 years
of coaching, no one knows someone like that.
Now you realize that for
each character you play if you want him to look and sound like a real person,
you need to find those thoughts and choices that make no sense but your
character does it anyway.Hey, we love
to watch those characters on the big screen, the little screen and on
stage.
So start with denial.I’ll give you some ideas of where to
search.Look at his or her morals
or lack of morals.Where do they
break the law?Do they get along
with their family members?If not,
why not?What troubles them
and why?These questions will get
you started but don’t stop, keep going.
If you would like to
practice finding the juicy denials of your character, take a look at some roles
on television, film and theater.Right now Breaking Bad is a new hot TV show.PLEASE!Of
course the leading man character has plenty of denials for you to notice but I
think most of the other characters do too.Frankly any of the Oscar nominated movies this year could
give you plenty of characters who have a lot of denial.In theater, take just one Tennessee
Williams play, any one of them and you will have plenty of characters with
denials.And don’t get me started
on Shakespeare!!!
And if you dare, just look
around at your family or friends and you can study denial there too.But beware it is best if you don’t
share this information with them.They will not appreciate it or go ahead say it they will DENY it!!!!See.Lots of material for us actors!!!
As a writer, I can tell you the most interesting characters are the flawed ones. I think you can even take it a step beyond denial--which is not wanting to look at things as they really and truly are. My best characters are the ones that are deceiving themselves. For that to work, they must have an inkling that a part of themselves is deceiving another part. That they are pulling the wool over their own eyes, so to speak. It creates inner conflict and opens up room for a lot of inconsistency in terms of thought, action and justification. This is also how people end up doing things that they know will hurt themselves and others, because a part of themselves chooses not to know. Then you also open up many possibilities for that moment when everything is just too fucked up for the self-delusion to continue and there is a major train wreck, of one's own making, that now must be dealt with. Self-induced tragedy is endlessly fascinating for the viewer/reader, though no fun at all in the real world.
I always think actors would make great psychologists because to get to know a character they have to really think as them, something I think Psychologists fail to know!
Although I have been coaching and teaching for many years, my background includes professional work both in musical and acting performances on stage, on screen and in voice over work as well...
Although I have been coaching and teaching for many years, my background includes professional work both in musical and acting performances on stage, on screen and in voice over work as well. If you want to learn more about my coaching, teaching and professional actor/singer background take a look at my website
www. JeanneHartmanActorsDetective.com
I love what I do and I love helping actors and performers reach their highest potential. The "Ah Hah" moments for my clients are some of my greatest joy.
I'm the Actor's Detective so send me your mysteries. Let's solve them together.
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