I am 68kg at 1.76m, loves health food, swimming, cycling and table tennis. Eats in food combination way for over 10 years.
Henry Chung is a cinematographer in Hong Kong
shooting feature films, commercial films, corporate films,
documentaries and short films for over 15 years. Besides cameras of all formats, he can operate software like Shake, Nuke, Lightwave and Final Cut Pro.
Winner , Awards for Best Cinematography Deauville , France, March 2002, Lotus de la meilleure image,
for the film ' Peony Pavilion ' in the Festival du Film Asiatique de Deauville mars 2002.
Winner of Best Cinematography, Golden Bauhinia Awards from the Hong Kong Film Critics Association for the film ' Peony Pavilion' in March 2002.
Winner , Questar Awards, USA 2004 for Salon Films, Gold Award , Grand Award for Bank of East Asia Commercial 2004 ‘Supreme Gold, Grow’ , He is the cinematographer for this commercial produced by Salon Films Hong Kong.
Beginning his career in advertising still photography and then moved on to cinematography as film crew, he had
worked with film directors Tsui Hark, Ann Hui, Jae-Young Kwak, Wayne Wong, Allen Fong. He then went to Hollywood to work with Oscar Winner Star Wars special effect wizards Peter Kuran and Chris Casady.
Also shooting documentary and corporate films for independent
productions in Hong Kong. He had shot the 4-winged dinosaurs
documentary on PBS Nova and also for the Discovery Channel, Chinese Whispers for Upside Down Concepts PTE.
Also the documentary Love Asia produced by Maggie Q for Fortune Star TV in HD directed by Barbara Wong.
Besides his expertise in lighting and camera work, he has been
creating three dimensional photographic and cinematographic
arts.
His solo 3-D photo exhibition “ Five-Leg-Tour” in the Fringe Club
in Feb. 1996.
He had filmed a special 3-d film “Professor Extreme” that
had been shown in Shanghai 1996 as Director of Photography.
The 3-d film camera device for the film was also designed by him.
During his 3-d cinematography career, so far, he had built three
3-d rigs for cinematography and he is also the designer of the
3-d Pana-Vista viewer which won the Must See 3-D awards in the States.
May 1999, his solo 3-D photo exhibition of the Kai Tak
Airport in Pacific Place , ‘ The Last Days of Kai Tak’ and the 3-D photo book ‘Good Bye Kai Tak’ was also published.
Sept. 1999, 'Europe, China' a joint 3-D photo exhibition in
Broadway Cinematheque.
Feb. 2002, Seoul , Korea, Big City Small Scenes, 3-d photos.
Dec. 2004, Hong Kong Film Archival : 3-d cinematography
Section in Trickery Wonderland Exhibition
April 2005, Hong Kong Cyberport: 3-d cinematography
Section in Trickery Wonderland Exhibition
January 2006, The Magic Mirror :3-d photos Exhibition
Three Boxes Gallery Central
November 2007, The Canon expo, 3-d movie Swan Lake on Ice 3-D
Canon Digital 3-D photo exhibition, Hong Kong Exhibition Centre
March 2008 Thai 3-D movie for the Dream World Theme
Park produced by Imaginmax.
April 2008 He was employed as 3D cinematographer by Centro
Digital to shoot 3D Short Film on Creative
Media of Hong Kong for Hong Kong Trade
Developemnt Council.
Winner of the Film of Merit Awards with his 35mm short film, Mind Notes in Hong Kong Independent Film Competition in 1994.
Winner of Audience Choice Awards, I shot Hong Kong Film Festival 2007, the Police Box directed by Josh Kim, cinematographer: Henry Chung
Feature Films as cameraman:
Bishonen 1998, directed by Yon Fan,
Director of Photography.
Slow Fade 1999, directed by Daniel Chan,
Camera Operator.
A Small Miracle 2000, directed by Kenneth Bi,
Director of Photography.
Peony Pavilion 2001, directed by Yon Fan,
Director of Photography.
Public Toilet 2003, directed by Fruit Chan
Director of Photography, shared.
The Leap Years 2008, directed by Jean Yeo
Director of Photography.
Further cinematography credits could be found:
http://www.imdb.com/name/nm0161227/
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At the Final Cut Pro User Group Meeting of Hong Kong , I introduced the Red One camera to the members. It was welcomed by the big number of members and many questions were asked on the operations of the camera, I just shared what I had experience during the two films I shot with Ringo's camera. We used a broadcast HD monitor and I started by showing off the Red camera test patterns and then the different ways of metering available, they were all interested in this new way of capturing moving image.
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