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Ten reasons why comic books are better than films.
2009-01-10 11:23AM / 標準BLOG / 會員可以看
This is an essay i wrote for another site, but i thought people here might be interested too. Some of these refer more to the film and comic book industry, rather than to films or comics themselves. In some I am half joking, but in others I'm deadly serious!
1. Cost and Time.
Some big dramatic effect can be made in a comic book for a matter of pennies. A similar special effect/CGI etc could cost millions in a big budget film - so why bother? Is it not an outrageous waste of money when there are so many things desperately in need of funding (like education and health). The world doesnt NEED another expensive explosion scene in a film, we've got enough already! The comic book effect can be also made in a fraction of the time involved for a film. As an extension of this: comics can generally be made more quickly than films.
2. Personal vision
Aren't you astonished by the sheer amount of people involved in making a big budget film? The end credits that require TWO songs to be played over them just to fit everybody in! The requirement to have so many voices involved because of the complexity of film making does mean having a personal vision in the creative work is so much harder than it is in comics. This is despite the autuer theory, which is largely discredited now many think. Comics, on the other hand, are still normally the product of one, two or perhaps three minds. This is definitely true at the independent level, but even in bigger companies. This fact alone creates a whole box full of positive characteristics.
3. Comics are more experimental, vital and bold.
Why do you think the film industry steals every decent idea that comic books have? The amount of films based on comic books has increased considerably over the last ten years or so. But ask yourself: how many can you think of that are anywhere near as good as the original in terms of artistry, boldness of vision, uniqueness, or even plain good story-telling? Only the 'American Splendour' film comes to my mind.
4. Films don't care about their viewers, but comics do!
This sounds strange, but dont run away! - let me try to explain: If you are watching a film on TV, you can go off to the other room for a while - the film rudely carries on without you, as if you weren't there at all! A film is self contained, it doesn't need you to let itself unfold. On the other hand, you can put down a comic book that you are reading, and go on holiday for a week. When you return, the comic is exactly right there, patiently waiting on you to turn the next page! So, comic books need the readers to make them come alive. Comics go at your pace, films just carry on regardless - whether you are paying attention or not. A lot of the time watching a film you are in such a trance because of the flickering on the screen that your are not even paying that much attention anyway.
5. Reading comics books is a more active process.
It follows on from the above that reading a comic book is a more active process than watching a film. It involves more of your intellectual/cognitive processes. You have to make the story come alive, to voice the dialogue in your mind, to connect the visuals and the text, etc. Watching a film, though it also involves some perceptual process, is just that bit less active. This means that comics are also more personally engaging. You put your own interpretation to it, more so than with a film, so it becomes something you feel close to.
6. Books are physical.
A simple observation, but still important. For most people it still feels better to have a physical book in your hands than to read the same story online. Films do not have a physical presence in the way a comic book does. Yes, you can hold a VHS/DVD in your hands, but its basically packaging. Its not the film itself. Comics books are the paper they are printed on. There is an tactile pleasure to be had from holding one in your hands, turning the pages, etc.
7. Movies get too much attention - be intelligent and support the underdog!
There is such a mystique about films and actors that, after a while, there is often a desire in intelligent people to turn away from them, to have a negative reaction. They don't need anymore attention put their way. So lets put some of our money and time into more neglected art forms - of which comics is one very deserving example (or poetry, sculptre, opera, whatever!).
8. Actors get paid too much (Or the famous ones do anyway).
Why should they get so much for what is basically standing around in someone else's clothes, reading someone else's lines to someone else's direction! I've been behind the scenes in several big budget films in the large studios and a lot of the acting is really not that hard! Its often just being in the right place and the right time, and everyone around you does the hard work: the make up team, the technical people, the stage designers, the production assistants, etc.
By comparison comic book writers and artists get paid much less, even the very well known ones. Even though they often totally create the world of that book by themselves. There may be an editor, letterer, colorer, etc that help a lot. Still, by comparison, the central team in comic books creates the core of the artistic work for much less financial reward than with the film industry. (Of course I should also say: some aspects of acting are VERY difficult, subtle and impressive, and that many new actors gets paid very little and struggle for years).
9. The Film industry sucks!
This is a somewhat debatable point as the comics industry has not got a good reputation either when it comes to treating its creative people well. Still, having been involved in both to some degree, in my opinion the film industry it is even more two faced, whirl-wind, and cut throat than the comics industry.
10. Other people involved in the making of films get treated badly.
By 'other people' I mean the behind the scenes individuals such as production assistants, make up, extra actors etc. The film industry is a bastion of class distinction, or you might say even apartheid! The main actors and 'above the line' creative team are like Gods, who have their own little world that exists near to, but oh so far removed from, the grubby world of the 'untouchables' who actually do much of the work of making the film. The world of these 'lower types' consists of standing in line in the rain for a meal of beans and hash brownies, waiting in dingy rooms for hours, long tedious work late into the night repeating the same scene again over and over. Of getting up even earlier than the main actors to make sure things are ready, of very little job security or health benefits, almost no recognition and certainly no glamour. Its a very unfair working environment and quite undemocratic. Perhaps, though, this is inevitable within such a money orientated industry?
Again, by comparison comics don't have such a unfair working environment or so many people involved that are treated so badly. Even with a well known Japanese manga-ka they often have only two assistants, who share a very similar working environment to their manga sensei. Still, to be fair, stories of miss-treatment of assistants can also be found in the comic book industry. But the point is that it's not as bad or as common as in the film industry.
- So, turn that film off and go read a comic book instead. You'll feel a whole lot better!


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统计信息
- I am a Scottish comic book writer now living in Japan, and often travelling to Hong Kong. I am the writer of the books:...I am a Scottish comic book writer now living in Japan, and often travelling to Hong Kong. I am the writer of the books:
ANGEL OF THE WOODS graphic novel,
MANGA MOVER (one story in anthology),
the award winning BEAUTIFUL THINGS collection,
THE JAPANESE DRAWING ROOM historical manga with Sakura Mizuki,
YAOI VOLUME ONE (one story in anthology),
LAFCADIO HEARN'S JAPANESE GHOST STORIES,
IRAQ:Operation Corporate Takeover, documentary book.
A story with artist Yishan Li in the MAMMOTH BOOK OF BEST NEW MANGA Volume 2.
A CHRISTMAS CAROL comic book adaptation, with Mike Collins as artist.
THE CANTERVILLE GHOST adaptation, and WUTHERING HEIGHTS comic book version, with the artist John M Burns.
SWEENEY TODD adaptation, with Declan Shavley.
BUSKERS graphic novel with Michiru Morikawa;
THE STORY OF LEE - 150 fiction story, published in US by NBM.
AX COLLECTION - a 400 page book of alternative style manga from Japan, published in US by Top Shelf.
HAGAKURE, a long historical manga with Kodansha in Japan.
YAKUZA MOON a long manga with Kodansha in Japan.
WUTHERING HEIGHTS adaptation, with John M Burns.
BOOK OF FIVE RINGS a long historical manga with Shambhala, Boston.
(wow, how did it get to be so many already!
- Gambaru!)
***************************************
The types of subjects I tackle are normally mature stories: biographical, historical, slice of life, though sometimes also fantastical stuff, especially magickal stories. I have worked with various excellent professional artists (such as Sakura Mizuki of the popular RING horror series and Mike Collins, art on Superman, Batman and Harry Potter, etc).
I am currently making inroads towards being published in Japanese also - in fact my first Japanese manga comes out on 'keitai' June 2008. Living in Japan means that I am obviously in a good place to create manga stories, working directly with Japanese artists.
ショーン・マイケル・ウィルソンは、スコットランドの首都エジンバラの出身であり、現在は日本に在住し活動している。グラフィッィク・ノベル「ANGEL OF THE WOODS」、「CHIMPIRA (MANGA MOVER)」、アワードを受賞作である“詩漫画” 「BEAUTIFUL THINGS」、「YAOI Volume One」 「A Christmas carol」 「Iraq Operation Corporate takeover」のライターである。
幼少の頃から、コミックブックを書くことは彼の夢であった。初めて出版された作品は1998年、ロンドンの大規模なコミックアートエキシビジョンにて展示された。
「THE JAPANESE DRAWING ROOM」は英国の美術館"Bournemouth"と共同で製作された。
「Iraq Operation Corporate takeover」は英国のチャリティー団体 War on Wantと共に出版された。
- 職業: 漫畫創作師 , 作家
- 性別: 男
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