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  • Boom Magazine: Interview with Terence Yin

    2014-05-13 3:22PM / 標準BLOG

    http://www.boom-asia.com/2014/05/07/interview-with-terence-yin/


    Actor terence yin speaks to boom about his creative process and what led him to embark on his latest music project, the upcoming album T.

    Philosophy is not generally the subject of too many pop albums. But Terence Yin is not your usual pop singer. The multi-talented actor, who got his first big break in Yonfan’s Bishonen playing Daniel Wu’s lover, studied rhetoric at UC Berkeley and philosophical musings are never far from his mind. “One of the songs on the album [T] is about that state of mind where you understand that there’s such a thing as fate, but you haven’t got onto that path yet. You’re still wavering in this nebulous space before you meet your fate.”

    In fact, it’s very much the lyrics and the story that drive him to create music. “I’m not a musician by training. I tend to approach music more visually,” he explains, “there’s a story I want to tell, and somehow the music will be created from that feeling.” The motivation behind this new album, his first in three years since 2011’s Transparent, came a few years ago when he was on stage. “I played a character whose relationship to the lead in the play was very close in sentiment to a song that I’d already written with Jun [Kung]. We never finished the track and I was thinking to myself that it would be a crime never to finish it. So I approached him again and we started talking and doing more writing.”

    His collaboration with Kung has brought back his love of music. “When I released my first album [in 1999] in Taiwan, I didn’t have the greatest experience promoting it and so I really focused on acting after that. But it was Daniel [Wu] who decided to give me an opportunity to do another album. Working on that with Jun restarted my fire for music and that’s pretty much where I am now.”

    The music on T has definite echoes of classic Cantopop from the 80s and 90s, an influence Yin feels strongly. “I came of age in that era and in fact I prefer Cantopop from the 70s, 80s and 90s to what I hear around me today. I’m one of those who believe that karaoke culture has really narrowed the scope of what’s possible in pop.”

    Yin is vocal about the issues affecting the Hong Kong music industry and his film The Heavenly Kings was a thought-provoking satire about it. “I just think [the Hong Kong music industry] is just sticking with a formula that they believe is right. You can’t fault them for that; they’re business owners. But to me it just seems like if the business is gearing towards a different direction, if no-one is selling records, it’s an opportunity to reinvent. It’s an opportunity to not abide by the previous rules and mindset. You know, it’s important not just for me as an individual artist but for the scene as a whole.”

    When The Heavenly Kings was released, there was some vocal outrage, especially from the media, at having been ‘duped’ to cover the fake band Alive formed by friends Daniel Wu, Terence Tin, Conroy Chan and Andrew Lin. Of course, their outrage was precisely the effect the stars wanted, to provoke some conversation at the lack of media responsibility and their trumpeting of singers who can’t even sing (of the four, only Terence Yin was actually able to sing). The website “alivenotdead.com” was born out of that idealism and desire to change the way the music industry in Hong Kong worked.

    Even though the website still has a strong following, Yin is no longer as hands-on as he used to be with alivenotdead. “It was an extension of the themes we discussed in the film. You know I think we had the potential to do so much more good. But it was a very idealistic project and in many ways it didn’t turn out exactly as we’d planned. But in regards to the music scene, I still believe 100% in everything we talked about in alivenotdead days. Having a healthy indie scene will definitely help the commercial scene.”

    Despite his earlier doubts, Yin is excited to be back in music. “I relish the opportunity to create original stuff and to use those works to reflect on myself. I enjoy music as a creative medium and I hope that I can continue to create and that the works I create find an audience.” If there’s one thing though that really excites Yin about this new project is the potential opportunity to play concerts again. “I love doing gigs. If there’s going to be any payoff for me with this album it’s that I get opportunities to sing live in front of an audience. It’s my favourite thing to do. I want to play with a full band because that’s really the best way to hear this album.”

    Actor, singer, entrepreneur and sometime philosopher Terence Yin is a man juggling many hats, but for a glimpse of the real Terence Yin beyond all the roles he plays on stage and screen, you should have a listen to the very personal reflections on the soon-to-be released T.

  • 《透明》 CD 發布會派對 - 十一月二十五日
    english |  |  )

    2011-11-13 12:00PM / BLOG新聞


    尹子維將在十一月二十五日八時在香港蘭桂坊舉行CD 發佈會派對, 發布七首新歌。

    這是一個好的機會讓他和粉絲們共同慶祝這緊要的里程碑並一同聽尹子維的歌以及客席嘉賓現場演釋他的新歌。派對入場費HK$200 連一杯飲品,CD另售HK$70。

    在alivenotdead.com當然會有特別優惠,親筆簽名CD連入場費只需HK$240. 你更可以選擇現刻用信用卡Paypal 網上購買:

    ONLINE TICKET BUYING IS NOW CLOSED. 
    PLEASE PURCHASE AT THE DOOR.

    預訂的朋友,親筆簽名CD會在當晚為你準備。請在門前客人名單查閱你的名字。



    十一月二十五日在 Bisous 見!

    Video: http://www.youtube.com/watch?v=vPDw5X0JWjM



  • 女友 文章
    english |  |  )

    2010-01-27 5:29PM / 標準BLOG

    當我去年九月份在新加坡的時候,Sinema Old School 的朋友們幫忙安排了一次中國《女友》雜誌的訪問。











    Thanks to Sharon from Sinema for sending it over!
  • Halleluya,來自和Marsha,Jun,Eugene一起合作的爵士音樂會
    english |  |  )

    2009-06-09 5:04PM / 標準BLOG

    Ghoststyle剛給我傳送了他從我與Marsha,Eugene,Jun一起合作的爵士音樂會上拍攝的視頻。謝謝你,Ghost!

    這首歌是我的最愛之一。希望你們喜歡!

    T
    Video:
    http://www.youtube.com/watch?v=oyjh6xDMwWI



  • 看到一個小女孩
    english |  |  )

    2009-06-09 1:44AM / 標準BLOG

    我聽到外面一陣嘈雜。一個女人在咆哮,像是出於憤怒。起初我聽不清,但當我走到外面無意中闖入那個場景,這些言語就清晰可聞。 “你怎樣完成這個句子?”這位女士質問她困惑的孩子。這個女孩是她媽媽的映射,在媽媽焦灼的質問中迷失了,像是一頭被俘獲的小鹿。 “如果你打算出去玩,你要講'我出去玩'還是'你出去玩?”這位母親現在為了強調開始揮舞雙臂。 “答案是"I play outside!'"這些話對這小孩子來說還沒產生什麼意義,但是對我來說卻是飽含著愛與情感。它並不是在簡單呈現一個母親想要孩子學習功課的願望落空,而坐在自家倉庫外對著人行道宣洩憤怒。這個迷失的孩子專注的聽著媽媽對於更好的未來,更好的人生,更好的反饋的一種懇求。我想這個孩子稍後是否會記得同媽媽一起的這一幕。或者這個情景是否會漸漸褪色直至與其他關於母親的記憶融為一體。她是否會明白媽媽的話並不僅僅作用於她的功課,更是對一個目睹了這一幕的旁觀者產生了極為深遠的意義。她會懂得她的媽媽遠比那些怪責的言語所能表達的還要愛她,那些言語隨著時間的流逝都會淡化,但是其中的寓意卻會保留下來。

统计信息

  • 1997年從加洲伯克萊大學畢業後,尹子維回到亞洲,至今已經拍了30多部電影...

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  • 職業:  演員
  • 年齡: 51
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