公告
- New album _Inland Territory_ available now!
http://www.scarabcart.com/cgi-bin/viennateng/item.cgi?id=172
Check out the new video for Gravity:
http://www.youtube.com/watch?v=X8nypWKa_aU&fmt=18
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an ode to single-serving friends
2009-06-04 4:21AM / 標準BLOG / 會員可以看
I love airplanes. Well, not really. The recycled air gives me a headache after a few hours, and sleeping at a 5-degree recline leaves me with a crick in my neck and drool on my shirt. There are the lines, the delays, the staggering fees to check music gear. And there’s the thorny problem of carbon footprint, with no low-emission sustainable jet fuel on the horizon, so it’s impossible for me to board a flight without some baggage on the conscience as well.
But I love airplanes for the people I meet. I’ve sat next to a man who literally rolls out red carpets (he was on his way to New York Fashion Week, from the Golden Globes), an amateur poet who recently sold some lyrics to Elton John (his “real” job is a merchandising business, making those yellow LIVESTRONG wristbands among other things), an Air Force pilot wounded in Iraq going home to his beloved wine cellar, a homeschooling mother learning chemistry and physics alongside her daughters, and a woman who had a brain aneurysm in the middle of college, went into a coma, and woke up from it a few years later.
On an early morning flight I’d originally designated for napping, my seatmate and I were shushed twice for talking too excitedly about XKCD and Michael Pollan. He told me about growing up in rural Florida and dropping out of college after putting his fist through the registrar window; these days he runs his own software consulting firm, and uses a programming game (Robocode) to teach trigonometry to his two children.
Airport shuttles, too. One pre-dawn morning I rode with a seven-year-old martial arts champ and his dad, on their way to Vegas to represent the Philippines in an international tournament. Another time a lively discussion about globalization emerged between a Senegalese banker, a sociology PhD student and a businessman from India. The driver, an Iranian, said little but slammed the doors at each drop-off, once almost swerving into another car as the Indian man held forth on venture capital. Only when I was last passenger remaining did he speak up. “That man? The ‘big business’ guy? He used to drive airport shuttles! Same company! I sold him my old van, to get him started. He gave me the first payment, said the rest was coming. Well, you know the rest of the story!” He sighed. “Sorry, this is why I am so agitated. I cannot afford to take him to court. I have given up on the entire thing. But to have him sitting there, talking such a big talk…”
Then there are the ones I never actually meet but can’t get out of my mind. Years ago I boarded a plane and passed a middle-aged woman and a young girl sitting in first class. The woman was sobbing openly, her tissues in shreds; the girl sat quietly holding her hand. I remembered the first time I saw my mother cry, how unsettling it was, but strangely calming too—when you’re a kid there’s nothing like witnessing a grown-up’s helplessness to jolt you into maturity, if only until the moment passes. Someone has to stay calm, you sense instinctively, or else the whole thing comes apart. Right now it’s got to be you. I still wonder who those two first-class passengers were, what they were leaving behind, if the woman still cries and the girl still sits quietly holding her hand, or whether they’d hardly recognize themselves on the plane that day.
I think a little too much these days about significance, relevance, exposure, access, steep pyramids in a shrinking industry. If one is serious about having music as a career, one has to keep an eye on these things. But as for being an artist and storyteller, or being a person rooted in some kind of community, if not a single geographical place…that requires a different kind of focus. More about listening and being present, day after day, year after year. Trying to do more of that right now.
[In tribute to the passengers of Air France Flight 447]
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intake
2010-03-09 10:45AM
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Slow Q&A 2009: The Kaoru Questionnaire
2009-10-15 7:57PM
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compass
2009-09-26 2:39AM (1 個評論)
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archive of Twitter Q&A, 15 Aug 2009
2009-09-03 2:00PM
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Slow Q&A 2009: The What Is That? Edition, pt. 2
2009-08-31 3:21PM
统计信息
- Q: Who are your influences? ...Q: Who are your influences?
A: My parents' record collection: Simon & Garfunkel, James Taylor, Mozart and Beethoven, 60s Mandarin pop. That's what I started with and it'll never leave me. Later on, pianist-songwriters: Elton John, Billy Joel, Tori Amos. These days I'm influenced by whoever intimidates me. I hear them, I'm astounded by them, I think daily about quitting music because I'll never be able to do it as well as they do. Then I try to steal from them without imitating. A tricky thing.
Q: How would you characterize your music?
A: Oh man, I don't know. I've taken to saying "chamber folk" or "singer-songwriter" to some people. "Somewhere between folk and pop, with a bit of classical and jazz," if they look confused after that. It's frustrating that I have no succinct phrase to offer; at the same time, I think it also means I'm doing something right.
Q: How long have you been playing piano?
A: Since I was five.
Q: Did you study at a conservatory?
A: No, just one-on-one piano lessons until I was 17. Changed my life, though.
Q: How did you learn to sing?
A: In the shower, and in school choirs. I took some voice lessons here and there, which amounted to paying $40-150 a week to be told that I was doing it all wrong. I don't think we fixed anything. So maybe I haven't learned to sing, actually.
Q: When did you start writing songs?
A: I think I was six when I decided I could cobble my own piano piece together. As for songs that I still play in public, the earliest ones are from high school.
Q: How long does it take for you to write songs?
A: A long time. Sometimes months. Occasionally over a year. I don't revise all that much; it just takes that long for all the pieces to form and assemble.
Q: Who arranges the songs for live performance?
A: It's a collaborative process. My bandmates generally compose their own parts as we work through a song in rehearsal—sometimes they're based on the studio recordings, oftentimes not. Sometimes they have cool ideas for my parts, too.
Q: How old are you?
Q: Is Vienna the name your parents gave you?
Q: How do you write your name in Chinese?
A: Wikipedia knows all. And is reasonably accurate, though I don't know why it has photos of me wearing a knit hat and playing guitar onstage, two things I almost never do.
Q: Is it true that you used to be a software engineer?
A: Yes. I got my bachelor's in Computer Science at Stanford University, and went to work for Cisco Systems for two years. These days I remember exactly enough to crash whatever computer I'm working on.
Q: Is it true that you went to/dropped out of medical school?
A: No. Can't imagine paying off med school loans and funding an album...
Q: What was it like being on Letterman?
A: Surreal. Pretty much like how it'd be for you if you got called to play on the Late Show. I still think I dreamt the whole thing. Except the studio was very, very cold, and my dreams aren't often cold.
Q: Which of your albums is the best one, in your opinion?
A: Like anyone, I'd hope that the most recent is always the strongest. I think I'm getting better as I go...
Q: Does constantly talking about yourself ever make you feel like an egomaniac?
A: Yes, yes it does. Makes me wish I were in a band sometimes.
Q: Are you going to release a live album?
A: We do have a live DVD out now. For sound-only recordings, there's always the Internet Audio Archive.
Q: Do you ever reply to emails?
A: No, and I apologize. It's not a policy or anything; I'm just not good at staying on top of it. I promise that I do read everything, and that I'm grateful. - 職業: 樂手 , 歌手 , 作曲家
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