公告
- New album _Inland Territory_ available now!
http://www.scarabcart.com/cgi-bin/viennateng/item.cgi?id=172
Check out the new video for Gravity:
http://www.youtube.com/watch?v=X8nypWKa_aU&fmt=18
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workday
2009-08-01 8:03AM / 標準BLOG / 會員可以看
I’m writing this afternoon in a blind stumble. I’m combing through scraps in folders labeled “recycle bin” and “workdesk,” wondering why I thought I could come up with songs for a living. I’m no good at this. The disconnect between the thing that wants to be, that elusive might-as-well-call-it-a-soul wandering around looking for a body to live in, and my ability to take a lump of clay and give it arms and legs and set its chest rising and falling, blood circulating, so that the spirit might decide to take up residence there, flutter its eyes open, have a look around, and take off ambling over the hill—I’m staring at that gaping divide, clueless about how to proceed. I don’t know how this is done.
That’s half true. I’ve managed to do it before, which is knowledge of a sort. The steps in the process, the mechanical aspects, are straightforward enough. You have the twelve semitones of the Western music scale. You have certain instruments—things you hit, things you strum, things you bow and blow into, noises you generate with software. You have the form dictated by the average listener’s attention span: three to five minutes, repeated sections, various permutations of intro verse pre-chorus chorus bridge. With this toolkit you can assemble, model-airplane style, a perfectly serviceable song without too much thought or trouble. And like a model airplane it will sit there, flightless.
This tends to be when the clamor bursts in the door, conveniently. You need to write a hit song, every part catchy, infectious. You should be edgier. Cooler. More wry and ironic. You should be more direct, more sincere, cut it with the flowery metaphors. You should be more clever, more poetic. You should stop trying so damn hard. You should try harder. You should be living sleeping breathing music every single moment of the day or you shouldn’t call yourself a musician. You should know about all the music that’s popular right now. You’re hopelessly stuck in an earlier time. You should never think about what’s popular or current when you write, you’re going for timelessness. You should write what you feel and be unashamed of it. You should write what people want to hear or else keep it to yourself. Self-expression is for hobbyists. Self-expression is the only kind of art there is. You don’t make art. Who do you think you are?
Fortunately there’s knowledge of another sort: that this always happens. Also: staying busy works. So I just make things. One-minute fragments of music. Verses to be discarded later except for one line that I like. Long rambling paragraphs in ink pen in a spiral-bound notebook. Descriptions of what an idea sounds like in my head, some of them contradictory. I don’t know how this is done and I never have. Once I get over the anxiety of not knowing, it starts to get exciting. Of course it’s a mystery. Of course you can’t tell if what you’re doing is any good. That’s why I got into this kind of work—because it demands everything of you, every time, and it always takes you somewhere you haven’t yet thought to go.
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intake
2010-03-09 10:45AM
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Slow Q&A 2009: The Kaoru Questionnaire
2009-10-15 7:57PM
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compass
2009-09-26 2:39AM (1 個評論)
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archive of Twitter Q&A, 15 Aug 2009
2009-09-03 2:00PM
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Slow Q&A 2009: The What Is That? Edition, pt. 2
2009-08-31 3:21PM
统计信息
- Q: Who are your influences? ...Q: Who are your influences?
A: My parents' record collection: Simon & Garfunkel, James Taylor, Mozart and Beethoven, 60s Mandarin pop. That's what I started with and it'll never leave me. Later on, pianist-songwriters: Elton John, Billy Joel, Tori Amos. These days I'm influenced by whoever intimidates me. I hear them, I'm astounded by them, I think daily about quitting music because I'll never be able to do it as well as they do. Then I try to steal from them without imitating. A tricky thing.
Q: How would you characterize your music?
A: Oh man, I don't know. I've taken to saying "chamber folk" or "singer-songwriter" to some people. "Somewhere between folk and pop, with a bit of classical and jazz," if they look confused after that. It's frustrating that I have no succinct phrase to offer; at the same time, I think it also means I'm doing something right.
Q: How long have you been playing piano?
A: Since I was five.
Q: Did you study at a conservatory?
A: No, just one-on-one piano lessons until I was 17. Changed my life, though.
Q: How did you learn to sing?
A: In the shower, and in school choirs. I took some voice lessons here and there, which amounted to paying $40-150 a week to be told that I was doing it all wrong. I don't think we fixed anything. So maybe I haven't learned to sing, actually.
Q: When did you start writing songs?
A: I think I was six when I decided I could cobble my own piano piece together. As for songs that I still play in public, the earliest ones are from high school.
Q: How long does it take for you to write songs?
A: A long time. Sometimes months. Occasionally over a year. I don't revise all that much; it just takes that long for all the pieces to form and assemble.
Q: Who arranges the songs for live performance?
A: It's a collaborative process. My bandmates generally compose their own parts as we work through a song in rehearsal—sometimes they're based on the studio recordings, oftentimes not. Sometimes they have cool ideas for my parts, too.
Q: How old are you?
Q: Is Vienna the name your parents gave you?
Q: How do you write your name in Chinese?
A: Wikipedia knows all. And is reasonably accurate, though I don't know why it has photos of me wearing a knit hat and playing guitar onstage, two things I almost never do.
Q: Is it true that you used to be a software engineer?
A: Yes. I got my bachelor's in Computer Science at Stanford University, and went to work for Cisco Systems for two years. These days I remember exactly enough to crash whatever computer I'm working on.
Q: Is it true that you went to/dropped out of medical school?
A: No. Can't imagine paying off med school loans and funding an album...
Q: What was it like being on Letterman?
A: Surreal. Pretty much like how it'd be for you if you got called to play on the Late Show. I still think I dreamt the whole thing. Except the studio was very, very cold, and my dreams aren't often cold.
Q: Which of your albums is the best one, in your opinion?
A: Like anyone, I'd hope that the most recent is always the strongest. I think I'm getting better as I go...
Q: Does constantly talking about yourself ever make you feel like an egomaniac?
A: Yes, yes it does. Makes me wish I were in a band sometimes.
Q: Are you going to release a live album?
A: We do have a live DVD out now. For sound-only recordings, there's always the Internet Audio Archive.
Q: Do you ever reply to emails?
A: No, and I apologize. It's not a policy or anything; I'm just not good at staying on top of it. I promise that I do read everything, and that I'm grateful. - 職業: 樂手 , 歌手 , 作曲家
- 性別: 女
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