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  • Chorus Line Marks that Time in my Life

    2009-04-12 3:26AM / 標準BLOG / 會員可以看
    2個評論

    This morning I heard a wonderful interview on NPR. Take a listen.

    http://www.npr.org/templates/story/story.php?storyId=102977788


    It is an interview about a wonderful documentary called Every Little Step about the creating of Chorus Line. It is based on both the video tapes of Michael Bennett and also casting the revival of Chorus Line. I haven't see it yet but just this interview reminded me of what it was like living in NYC and going to see the original Chorus Line. I think most people I know at that time were touched by that performance. Although I never really considered myself a dancer ( I did dance in musicals) because I knew dancers, amazing dancers and that was not me; I related to the desire, the drive of those artists. It truly allowed the audience to understand the pain, agony, joy and love of the artist for the art.

    What makes a person willing to go on when the odds are against them, when the reject can be ruthless, when many times family and friends don't understand? Hearing this interview I knew I must see this documentary because I need to be amongst artists who understand, who get it, who don't ask me to explain why I do what I do.

    Maybe this is why I am most happy when I am coaching actors both privately and in groups. We all speak a language that most people will never understand. My club of people. People who don't need me to explain the joy of feeling the pain of my character, the exhilaration of find just the right inner thought that makes the character come alive on stage or on the screen. That joy cannot be bought. It must be found and experienced by each artist in their own distinctive way.

    Enjoy the journey and I hope and pray you have artist friends to enjoy it with you.

    Jeanne

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  • gracehuang
    藝術家空間 
    留言於2009-04-21 3:13PM [举报]
    "I need to be amongst artists who understand, who get it, who don't ask me to explain why I do what I do.

    Maybe this is why I am most happy when I am coaching actors both privately and in groups. We all speak a language that most people will never understand. My club of people. People who don't need me to explain the joy of feeling the pain of my character, the exhilaration of find just the right inner thought that makes the character come alive on stage or on the screen. That joy cannot be bought. It must be found and experienced by each artist in their own distinctive way."

    Jeanne, this is what makes you such a fantastic coach. You are an artist first and foremost and that means you understand us, the people you teach now.

    We benefit because you HEAR us and you GET us. I count myself one of the lucky ones to have found you. You GET me. : )
  • mariejost
    藝術家空間 
    留言於2009-04-12 8:17AM [举报]
    An artist's journey into their art is often a lonely one.  Very few are the people who can truly understand what any given artist is trying to communicate through their art, and even fewer are those who can truly grasp what the artist goes through to make that inner inspiration an outward reality.  

    Artists put themselves out there and create because...well, because they must or feel like they will die--if not literally, at least figuratively.  It is great if someone gets the work of art.  But it is also just fine if they get something else out of it than what I put into it.  It is amazing the number of times I feel like I have expressed so well something that has come to me, become clear to me, moved me, whatever, and no one gets it the way I was experiencing it at the time I poured that experience into my work.  But if the reader takes something away that is meaningful for him/her, that matters, that gives them an experience that is somehow different for them, then I figure that art is greater than my individual take on it.  If someone finds what I do meaningful, then probably I have not failed.

    Maybe it is a bit different for performers than it is for other types of artists.  Performers can only create art in the moment, in front of an audience.  Without the performance, where is the art?  (I just retired as a dancer last year after 10 years of performing, so I clearly grasp the difference between dancing and writing.)  At least I can put words down on a page (or screen) and even without the benefit of an audience, I know that I am engaged in the creation of something that is greater than the consciousness of the ordinary waking mind, something that I am trying to communicate with a presumed audience, though one that is not precisely present.

    Writers can be a crazy bunch and perhaps we are not the best judge of each others work.  I find little inspiration in most contemporary writing (at least in English).  Yet I find great inspiration in music, film, theater, dance and the visual arts.  Maybe we are totally blind to the greatness of our fellow artists who grope down similar paths to our own?  I sometimes wonder.

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  • Although I have been coaching and teaching for many years, my background includes professional work both in musical and acting performances on stage, on screen and in voice over work as well...

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  • 職業:  導演演員
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Jeanne Hartman 邀請你瀏覽許多官方藝術家空間並加入他/她的粉絲圈。趕緊註冊,創建你自己的空間,跟好友及喜愛的電影工作者、音樂家及其他藝術家交流。